The silent gap in the poetry language or the signs of the fading in poetry

Abstract

The article studies about F. Jullien's conception on "cái nhạt" (French: la fadeur; English: the fading) in the poetry. From the perception of a philosopher and an aesthete, F. Jullien has seen deeply through this issue which changes some signs in the literature. From that, the article connects with the typical features of poetry, through the formation of the poetry language, in order to compare with the fading. Then, similar points in the poet’s creation and in the final purpose of the talent receiver can be spotted. The fading is easily seen as the quality. More specially, it is the aesthetics, essential for the poetry, enabling poetry to become the philosophical, beautiful and wonderful signs for the human beings as well as for the artistic life.