HOANG CAM’S POETRY FROM THE PRISM OF ARCHETYPAL CRITICISM

Abstract

Hoang Cam is one of the typical faces of the modern Vietnamese poetry. Hoang Cam’s poetry hides a variety of signs, symbols and more deeply, archetypes. From the prism of archetypal criticism, the article identifies and analyzes the expressive and aesthetic values of the archetype in Hoang Cam’s art world of poetry. Within the scope of this article, we limit the study and presentation of the archetypal Anima and Self.

Keywords: Hoang Cam, archetype, archetypal criticism, Anima, Self